In this interview I would like to present you with an amazing woman, a fabulous writer and intellect, and also an inspiration. Her name is Rhonda Jackson Joseph. She is a horror writer, a member of the Horror Writers Association, and a professor based out of Texas. Her analysis of gender, race, and, horror has really inspired me to look at all who indulge in this world of horror that we love so much. Primarily a man’s game, I want to look at the differences we all bring to the table. Male/female, black/white/yellow/brown, different religions, different countries, different sexual orientations… how we all see horror differently. So starting off my adventure, I bring you the great lady herself and her answers to my questions:
First, thank you so much for having me over for a chat, Jaye. I always enjoy talking with other women in horror.
Where did you get your love for the horror genre?
I grew up in a home always filled with books and magazines and the ones my parents didn’t think to hide were the horror ones. I’ve always had a dark nature, so I was drawn to these tales of monsters, weirdness and evil. My father was the one who collected these books and every now and then I would talk him into allowing me to watch the horror movies with him. I was really young, maybe 6 or 7 or so. The adult me is glad he didn’t have the best parenting judgement because otherwise I probably wouldn’t have gotten all that exposure to the things I love so much.
What are some of your favorite horror films?
Some of my all-time faves are Blacula, the original Poltergeist, Pet Sematary, The Exorcist, Beloved and all the classic Universal monster movies. Recent additions to my list are Get Out, The Quiet Place, and Hereditary. Apparently, I’m drawn to sympathetic monsters and also utterly terrified by parenthood and societal horrors.
How did you get into writing?
Writing has always been how I best express myself. The written word never fails me, even when speaking does. I’ve been full of words since childhood, with a knack for telling stories. I also have a mother who always supported whatever I and my siblings wanted to do and she continuously praised my writing and encouraged me to continue the sharing of myself through words. My insatiable curiosity helps, too. I never run out of things to write about because I question everything, all the time. Everything that happens and my experiences are fodder for stories or poems. Even things that don’t happen are fair game. Writing is such a part of my being that I can just never quit.
Who are some of your favorite writers?
So many faves! I read way more than I write, which is good in some ways but terrible in others. I love classic writers such as Edgar Allan Poe and Mary Shelley. I also like Shirley Jackson, Octavia Butler, and Tananarive Due. Stephen King is one of my favorites as is Linda Addison and Lori Titus. And L.A. Banks will forever be #writergoals.
Which books inspired you?
I mostly read Stephen King, Dean Koontz, and John Saul as a child, so I was heavily inspired by their works to write my own creepy fare. The works of Tananarive Due and Toni Morrison inspired me immensely because they showed that black women could write riveting horror. But the most influential book overall in my horror writing was the Bible. I was raised as a Southern Baptist and those stories and the ways preachers would impart them were horrifying! I also liked the hidden messages and the ways the words could mean various different things.
I learned the word misogynoir while researching you. Can you explain it to my readers and how you feel about it or counteract it?
This is an excellent question! Misogynoir is a term coined by African American feminist Professor Moya Bailey to describe a specific hatred that is enacted upon black women. Misogynoir reflects an intersection of race and gender in the ways black women are victimized. I grew up feeling the weight of not just being black but of also being a woman, so the word feels right and encompasses the entirety of my experiences with such hatred in a way that the term misogyny ignores with its single focus on my being a woman.
One specific way I work to combat misogynoir is simply by daring to write black women’s experiences into the horror genre, as an unapologetic black woman. I write about black women being terrorized by monsters because so many experiences of black women are horrific. I write about black women being monstrous because we should be allowed to lean into this element and receive power and sympathy as other monsters do. I write about why we need these depictions, why the genre (really, the world as a whole) should embrace these characters and stories as relevant, lived experiences that encounter horror and monstrosity in various ways.
What drew you to writing in academia?
I often tell folks I’m an accidental academic. I attended graduate school primarily to get a degree that would allow me to work part-time teaching at the college level, where I would make more money than in any other part-time job. I also needed the flexibility so I could still care for my children. I didn’t know the pursuit of that degree and the people I would meet along the way would also create avenues for me to find a still growing corner of this discipline where I might be able to make valuable contributions. I honestly had no idea that writing about black women and horror from an academic standpoint was a thing. Then I met Dr. Kinitra Brooks at a horror convention and searched for everything I could find on her work about black women in horror and popular culture and I finally knew what I wanted to be when I grew up. My entry into academic writing may have unintentional, but apparently, this is where I need and want to be.
What do you find truly horrific?
Ah…our existence is immersed in darkness and overrun by monsters. If I had to choose the most horrific things I’m aching over in this moment, I’d have to say humanity’s lack of empathy and the assassination of intellectual curiosity. It scares me that human beings can deny other humans their right to basic personhood and exalt their cruelty. Now, I wouldn’t say there was ever a time in my lifetime when this empathy existed in abundance, anyway, but I just would have thought we’d be beyond this point by now.
And I grew up surrounded by people who didn’t have advanced educations, sometimes not even through high school, and yet they still sought knowledge and facts to make decisions about their lives in general. Now we have folks who have multiple degrees who disregard facts and make illogical and unsound arguments in bad faith… and others blindly follow them. Critical thinking is pretty much dead, and it doesn’t seem it will even be resurrected as a zombie, so when it’s completely gone, it’ll just be gone.
If you could have a frank discussion with any five people in history: living or dead, who would it be and why?
This is a fun one! The chance to ask Mary Shelley about her writing process and inspiration for Frankenstein. I want to hear it from her without the filter of years of research. And meeting Edgar Allen Poe would be a dream. I often wonder how he managed to avoid ultimately succumbing to his demons before he did. I’d absolutely love to have a conversation with Margaret Garner, the enslaved woman whose story of matricide inspired Toni Morrison’s Beloved. As heart wrenching as it would surely be, I’d like to hear from her the desperation that drove her to murder one child and attempt to murder the others in an attempt to save them from slavery. I’d like to talk with Toni Morrison, too. I continue to be inspired by the way she uses words to make experiences immersive. I’d just want to shake her hand and hope some of her glitter rubs off on me. And James Baldwin seems like the kind of person I would seek out at a party, someone I could have stimulating conversations with while the world went on around us.
What are you working on now?
I work best when I’m juggling different projects, so I’m currently working on a few things. My main focus right now is an essay on the Netflix series “The Haunting of Hill House”, for a collection being compiled and edited by Dr. Kevin Wetmore. Also, I’m outlining two different academic book proposals for submission to publishers. In the background of these academic projects is a horror novella and a couple of chewed on and incomplete horror short stories that I hope to finally finish. By the end of the year, I’d like to have a collection of short stories to shop around to publishers.
I would like to yell three shout-outs. The first is to announce that I will be making an academic presentation at the Ann Radcliffe Academic Conference at StokerCon in May, called the “Rendering the Invisible Visible: Black Femininity in Horror”. It would be great to have some folks come out to join the conversation.
The second is for Uncovering Stranger Things: Essays on Eighties Nostalgia, Cynicism and Innocence in the Series, a collection of essays edited by Dr. Kevin Wetmore that made it onto the final ballot for this year’s Stoker Awards. The third is for Sycorax’s Daughter’s. edited by Dr. Kinitra Brooks, Linda Addison, and Dr. Susana Morris, which appeared on last year’s Stoker Award final ballot. I’m super proud to have contributed to these amazing books and I look forward to more works from these magnificent writers and editors.
I’m currently accepting abstracts for multidisciplinary academic presentations at the Multiverse Science Fiction and Fantasy Convention in Atlanta this October. Please see our call for papers on our website here: https://www.multiversecon.org/papers
I want to thank Rhonda so much for giving me her valuable time and insights! If you would like to learn more about her or her works, I have included some links for your perusal:
Facebook official: fb.me/rhondajacksonjosephwriter
Uncovering Stranger Things on Amazon:
Sycorax’s Daughters on Amazon:
HWA Poetry Showcase, Volume V:
Monstrous Domesticity on Amazon:
Black Magic Women on Amazon:
Anne Radcliffe Academic Conference at StokerCon 2019:
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